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PUBLICATIONS
—BOOKS
2019 Bruce Nauman: Spatial Encounters, with Constance M. Lewallen, University of California Press
The Face of Becoming: Three Stages in the Life of the Diorama (manuscript in progress)
—ESSAYS IN BOOKS
2019 "Paper Airplanes: An Interview with Akram Zaatari—Artist, Archivist and Curator" in Viola Shafik, ed, Histories of Arab Documentary, American University of Cairo Press (forthcoming)
2019 "Space as Time in Bruce Nauman's San Jose Installation," in Christine Vial-Kayser, Sylvie Coëllier, and Patrick Otto, eds., Installations, a phenomenological and cognitive approach (peer reviewed proceeds from the conference organized by Langarts, Sorbonne, 2017, forthcoming)
2015 “On the Site of Her Own Exclusion: Strategizing Queer Feminist Art History,” in Otherwise : Imagining Queer Feminist Art Histories, eds. Amelia Jones and Erin Silver, Manchester University Press
2014 “Fluxus,” Oxford Encyclopedia of Aesthetics, 2nd Ed., ed. Michael Kelly, New York and Oxford: Oxford University Press (pdf)
2012 “Sacred Cow, Sacred Text: Allegories of the Spectacle in BLW’s Re-Speaking Project,” Adaptation Theories, Jan van Eyck
2006 “Imagine There’s No Image (It’s Easy If You Try): Appropriation in the Age of Digital Reproduction,” A Companion to Contemporary Art Since 1945, ed. Amelia Jones, Blackwell Press; Reprinted in Profil Contemporary Art Magazine, translated into Slovak (2013)
—PUBLICATIONS IN JOURNALS & MAGAZINES
2019 "Bruce Nauman," a review of Bruce Nauman: Disappearing Acts at MOMA and MOMA/PS1," Art in America, Jan. 2019
2018 "On Reinstallation as a Form of Inquiry: Bruce Nauman's San Jose Installation" (tentative title), Journal of Curatorial Studies, special-issue edited Jane Chin Davidson and Nicola Foster (forthcoming)
2018 "Installation, Infrastructure, and Time" (tentative title), in a special-issue of IRIS: revue du Centre de Recherche sur l’Imaginaire de Grenoble (forthcoming)
2018 "Beautiful Banality: Dan Graham Interviewed by Dore Bowen," Culture et Musées 32, L'art du diorama (1700-2000) (forthcoming, in French)
2018 "Photography After Feminism," a review of Abigail Solomon-Godeau's Photography After Photography: Gender, Genre, History, Art in America, Nov. 2018
2015 "The Diorama Effect: Gaslight, Politics, and Opera in the 1825 Diorama," Intermédialités: histoire et théorie des arts, des lettres et des techniques No. 24-25, Edited by Larisa Dryansky and Érika Wicky (pdf)
2010 “The Fluxus Event,” in Viz. Inter-Art Event: A Trans-genre Anthology, ed. Roxanne Hamilton, City Lights Press
2007 “The Function of Dysfunction,” SWITCH
2007 “This Bridge Called Imagination: On Reading the Arab Image Foundation and Its Collection,” Camerawork: A Journal of Photographic Arts; An expanded version of this essay published in Invisible Culture peer review online journal (2008)
2005 “Performance-Video in a New Key: A Review of Irreducible,” Art Papers
2003 “Photography in the Mix: Flora-Fauna-Photo,” Camerawork: A Journal of Photographic Arts
2002 "Yoko Ono: Into the Looking Glass,” Camerawork: A Journal of Photographic Arts
2000 “Rattle and Roll: On SF Camerawork’s 25th Anniversary Exhibit,” Afterimage: The Journal of Media Arts and Cultural Criticism, 27.5
1999 “Exquisite Correspondence: A Dialogue with Whitney Chadwick,” Afterimage: The Journal of Media Arts and Cultural Criticism, 26.6
1999 “Hysteria and the Helio-trope: On Bodies, Gender and the Photograph,” Afterimage: The Journal of Media Arts and Cultural Criticism, 26.5
1998 “Narratus Interruptus: During and After Gary Hill’s The Storyteller’s Room,” Camerawork 25.2
1998 “Feminist Looks,” Afterimage 25.5
1997 “Spiegelman Reviewed” and “The Kinsey Archive,” The American Photography Institute’s National Graduate Seminar
—CATALOG ESSAYS
2016 "The Gallery is Open: On Simularcra by Elín Hansdóttir," i8 Gallery, Reykjavik
2015 "The Last of the Landfillians: Art, Romanticism, and the Albany Bulb," Refuge in Refuse: Homesteading Art & Culture
Project, SOMARTS, San Francisco
2010 "L'Autre Guide," Early Man on a Modern Road (In French), exhibition catalog
2008 “What is Given To Be Seen?: The Class of 2008 @ SJSU,” San José State University and Institute of Contemporary Art, San José
2001 “The Uncertainty of Flight: Ed Osborn’s Flying Machine #4,” Klangturm Museum of Sound, St. Pölten, Austria
2001 “La vérité dans la photographie (pour Ben),” in French, Ben Vautier: Je cherche la vérité, MAMAC, Paris
2000 "Scott MacLeod: Seditious Substance,” catalog essay, Adeline Kent Award Exhibition, SF Art Institute
—EDITORIAL
2010 Editor, Early Man On a Modern Road, exhibition catalog, Musée de Préhistoire des Gorges du Verdon
2007 Editor, Not Given: Troubling Gender in the Archive, a special issue of Camerawork: A Journal of Photographic Arts
2003 Editor, Agitate: Negotiating the Photographic Process, a special issue of Camerawork
1996 Publication Researcher, Police Pictures: The Photograph as Evidence, San Francisco MOMA
—BOOKS
2019 Bruce Nauman: Spatial Encounters, with Constance M. Lewallen, University of California Press
The Face of Becoming: Three Stages in the Life of the Diorama (manuscript in progress)
—ESSAYS IN BOOKS
2019 "Paper Airplanes: An Interview with Akram Zaatari—Artist, Archivist and Curator" in Viola Shafik, ed, Histories of Arab Documentary, American University of Cairo Press (forthcoming)
2019 "Space as Time in Bruce Nauman's San Jose Installation," in Christine Vial-Kayser, Sylvie Coëllier, and Patrick Otto, eds., Installations, a phenomenological and cognitive approach (peer reviewed proceeds from the conference organized by Langarts, Sorbonne, 2017, forthcoming)
2015 “On the Site of Her Own Exclusion: Strategizing Queer Feminist Art History,” in Otherwise : Imagining Queer Feminist Art Histories, eds. Amelia Jones and Erin Silver, Manchester University Press
2014 “Fluxus,” Oxford Encyclopedia of Aesthetics, 2nd Ed., ed. Michael Kelly, New York and Oxford: Oxford University Press (pdf)
2012 “Sacred Cow, Sacred Text: Allegories of the Spectacle in BLW’s Re-Speaking Project,” Adaptation Theories, Jan van Eyck
2006 “Imagine There’s No Image (It’s Easy If You Try): Appropriation in the Age of Digital Reproduction,” A Companion to Contemporary Art Since 1945, ed. Amelia Jones, Blackwell Press; Reprinted in Profil Contemporary Art Magazine, translated into Slovak (2013)
—PUBLICATIONS IN JOURNALS & MAGAZINES
2019 "Bruce Nauman," a review of Bruce Nauman: Disappearing Acts at MOMA and MOMA/PS1," Art in America, Jan. 2019
2018 "On Reinstallation as a Form of Inquiry: Bruce Nauman's San Jose Installation" (tentative title), Journal of Curatorial Studies, special-issue edited Jane Chin Davidson and Nicola Foster (forthcoming)
2018 "Installation, Infrastructure, and Time" (tentative title), in a special-issue of IRIS: revue du Centre de Recherche sur l’Imaginaire de Grenoble (forthcoming)
2018 "Beautiful Banality: Dan Graham Interviewed by Dore Bowen," Culture et Musées 32, L'art du diorama (1700-2000) (forthcoming, in French)
2018 "Photography After Feminism," a review of Abigail Solomon-Godeau's Photography After Photography: Gender, Genre, History, Art in America, Nov. 2018
2015 "The Diorama Effect: Gaslight, Politics, and Opera in the 1825 Diorama," Intermédialités: histoire et théorie des arts, des lettres et des techniques No. 24-25, Edited by Larisa Dryansky and Érika Wicky (pdf)
2010 “The Fluxus Event,” in Viz. Inter-Art Event: A Trans-genre Anthology, ed. Roxanne Hamilton, City Lights Press
2007 “The Function of Dysfunction,” SWITCH
2007 “This Bridge Called Imagination: On Reading the Arab Image Foundation and Its Collection,” Camerawork: A Journal of Photographic Arts; An expanded version of this essay published in Invisible Culture peer review online journal (2008)
2005 “Performance-Video in a New Key: A Review of Irreducible,” Art Papers
2003 “Photography in the Mix: Flora-Fauna-Photo,” Camerawork: A Journal of Photographic Arts
2002 "Yoko Ono: Into the Looking Glass,” Camerawork: A Journal of Photographic Arts
2000 “Rattle and Roll: On SF Camerawork’s 25th Anniversary Exhibit,” Afterimage: The Journal of Media Arts and Cultural Criticism, 27.5
1999 “Exquisite Correspondence: A Dialogue with Whitney Chadwick,” Afterimage: The Journal of Media Arts and Cultural Criticism, 26.6
1999 “Hysteria and the Helio-trope: On Bodies, Gender and the Photograph,” Afterimage: The Journal of Media Arts and Cultural Criticism, 26.5
1998 “Narratus Interruptus: During and After Gary Hill’s The Storyteller’s Room,” Camerawork 25.2
1998 “Feminist Looks,” Afterimage 25.5
1997 “Spiegelman Reviewed” and “The Kinsey Archive,” The American Photography Institute’s National Graduate Seminar
—CATALOG ESSAYS
2016 "The Gallery is Open: On Simularcra by Elín Hansdóttir," i8 Gallery, Reykjavik
2015 "The Last of the Landfillians: Art, Romanticism, and the Albany Bulb," Refuge in Refuse: Homesteading Art & Culture
Project, SOMARTS, San Francisco
2010 "L'Autre Guide," Early Man on a Modern Road (In French), exhibition catalog
2008 “What is Given To Be Seen?: The Class of 2008 @ SJSU,” San José State University and Institute of Contemporary Art, San José
2001 “The Uncertainty of Flight: Ed Osborn’s Flying Machine #4,” Klangturm Museum of Sound, St. Pölten, Austria
2001 “La vérité dans la photographie (pour Ben),” in French, Ben Vautier: Je cherche la vérité, MAMAC, Paris
2000 "Scott MacLeod: Seditious Substance,” catalog essay, Adeline Kent Award Exhibition, SF Art Institute
—EDITORIAL
2010 Editor, Early Man On a Modern Road, exhibition catalog, Musée de Préhistoire des Gorges du Verdon
2007 Editor, Not Given: Troubling Gender in the Archive, a special issue of Camerawork: A Journal of Photographic Arts
2003 Editor, Agitate: Negotiating the Photographic Process, a special issue of Camerawork
1996 Publication Researcher, Police Pictures: The Photograph as Evidence, San Francisco MOMA