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PUBLICATIONS
—BOOKS
2019 Bruce Nauman: Spatial Encounters, with Constance M. Lewallen, University of California Press (excerpt)
review by Charlie Schultz
In Preparation The Diorama Effect
—BOOK CHAPTERS
2022 "Paper Airplanes: An Interview with Akram Zaatari—Artist, Archivist and Curator" in Viola Shafik, ed, Documentary Filmmaking in the Middle East and North Africa, Cairo, Egypt: American University of Cairo Press
2021 "Their Porous Body: On Bruce Nauman’s San Jose Installation, Infrastructure, and the Experience of Time,” eds. Sylvie Coëllier and Christine Vial-Kayser, Installation Art as Experience of Self in Space and Time, Wilmington DE: Vernon Press
2016 “On the Site of Her Own Exclusion: Strategizing Queer Feminist Art History,” in Otherwise : Imagining Queer Feminist Art Histories, eds. Amelia Jones and Erin Silver, Manchester University Press (pdf)
2013-14 “Fluxus,” Oxford Encyclopedia of Aesthetics, 2nd Ed., ed. Michael Kelly, New York and Oxford: Oxford University Press
2012 “Sacred Cow, Sacred Text: Allegories of the Spectacle in BLW’s Re-Speaking Project,” Adaptation Theories, Jan van Eyck
2006 “Imagine There’s No Image (It’s Easy If You Try): Appropriation in the Age of Digital Reproduction,” A Companion to Contemporary Art Since 1945, ed. Amelia Jones, Blackwell Press (pdf); Reprinted in Profil Contemporary Art Magazine, translated into Slovak (2013)
—JOURNAL ARTICLES
2018 "Une belle banalité: entretien avec Dan Graham," Culture et Musées 32, special issue on "L'art du diorama" (1700-2000), edited by Noémie Étienne et Nadia Radwan
2015 "The Diorama Effect: Gaslight, Politics, and Opera in the 1825 Diorama," Intermédialités: histoire et théorie des arts, des lettres et des techniques No. 24-25, special issue on "Projection," edited by Larisa Dryansky and Érika Wicky (pdf)
2010 "The Fluxus Event," in Viz. Inter-Arts Event: A Trans-genre Antholony, Ed. Roxanne Hamilton, City Lights Press
2007 “The Function of Dysfunction,” SWITCH online media journal
2007 “This Bridge Called Imagination: On Reading the Arab Image Foundation and Its Collection,” Camerawork: A Journal of Photographic Arts; An expanded version of this essay published in Invisible Culture peer review online journal (2008)
1999 “Hysteria and the Helio-trope: On Bodies, Gender and the Photograph,” Afterimage: The Journal of Media Arts and Cultural Criticism, 26.5
1999 Interview, “Exquisite Correspondence: A Dialogue with Whitney Chadwick,” Afterimage: The Journal of Media Arts and Cultural Criticism, 26.6
—REVIEWS
2022 Book Review, Noémie Étienne, The Art of the Anthropological Diorama: Franz Boas, Arthur C. Parker, and Constructing Authenticity, by Noémie Étienne, trans. Chris Miller, Panorama: Journal of the Association of Historians of American Art 8, no. 2
(Fall 2022), https://doi.org/10.24926/24716839.15116
2020 Exhibition Review, Lydia Ourahmane, صرخة شمسية Solar Cry @ CCA Wattis, SquareCylinder, March 2020
2020 Exhibition Review, "Slant Step Forward" exhibition at Verge Center for the Arts, Sacramento, Art in America, Jan. 2020
2019 Exhibition Review, "Bruce Nauman," Bruce Nauman: Disappearing Acts at MOMA and MOMA/PS1," Art in America, Jan. 2019
2018 Book Review, "Photography After Feminism," on Abigail Solomon-Godeau's Photography After Photography: Gender, Genre, History, Art in America, Nov. 2018
2005 Exhibition Review, "Performance-Video in a New Key: A Review of Irreducible,” Art Papers
2003 Exhibition Review, “Photography in the Mix: Flora-Fauna-Photo,” Camerawork: A Journal of Photographic Arts
2002 Exhibition Review, "Yoko Ono: Into the Looking Glass,” Camerawork: A Journal of Photographic Arts
2000 Exhibition Review, “Rattle and Roll: On SF Camerawork’s 25th Anniversary Exhibit,” Afterimage: The Journal of Media Arts and Cultural Criticism, 27.5
1998 Exhibition Review, “Narratus Interruptus: During and After Gary Hill’s The Storyteller’s Room,” Camerawork 25.2
1998 Book Review, “Feminist Looks,” Afterimage 25.5
1997 Reviews, “Spiegelman Reviewed” and “The Kinsey Archive,” The American Photography Institute’s National Graduate Seminar
—CATALOG ESSAYS
2021 "Ephemerality is the New Permanent," Anna Hallin, Galleri Underpass, Reykjavik, Iceland
2019 Curatorial Essay, Time Tunnel: Bruce Nauman's Corridor Installation with Mirror-San Jose Installation (Double Wedge Corridor with Mirror), Natalie & James Thompson Art Gallery, San José State University
2016 "The Gallery is Open: On Simulacra by Elín Hansdóttir," i8 Gallery, Reykjavik
2015 "Last of the Landfillians: Art, Romanticism, and the Albany Bulb," Refuge in Refuse: Homesteading Art & Culture
Project, SOMARTS, San Francisco
2010 Curatorial Essay, "L'Autre Guide," Early Man on a Modern Road (In French), for exhibition catalog
2008 "What is Given To Be Seen?: The Class of 2008 @ SJSU,” San José State University and Institute of Contemporary Art, San José
2001 "The Uncertainty of Flight: Ed Osborn’s Flying Machine #4,” Klangturm Museum of Sound, St. Pölten, Austria
2001 “La vérité dans la photographie (pour Ben),” in French, Ben Vautier: Je cherche la vérité, MAMAC, Paris
2000 "Scott MacLeod: Seditious Substance,” Adeline Kent Award Exhibition, SF Art Institute
—BOOK VOLUMES, EDITORIAL
2010 Co-Editor, Early Man On a Modern Road, exhibition catalog, Musée de Préhistoire des Gorges du Verdon
2007 Editor, Not Given: Troubling-Gender in the Archive, a special-issue of Camerawork: A Journal of Photographic Arts, with Arlette Farge, Tarek el- Ariss, Paul-Emanuel Odin, Irina Leimbacher, and Dore Bowen
2003 Co-Editor, Agitate: Negotiating the Photographic Process, a special-issue of Camerawork: A Journal of Photographic Arts, with Moira Roth, Robert Morgan, Jillian St. Jacques, and Dore Bowen
1996 Publication Researcher, Police Pictures: The Photograph as Evidence, San Francisco MOMA